The G Jazz Minor scale contains the following seven modes:ĬAGED Positions for the G Jazz Minor Scale The Jazz Minor scale is important, because of the modes that are derived from it. It can also be viewed as a G Major scale, with a flat 3rd. The G Jazz Minor scale is the same as the ascending version of the G Melodic Minor scale. If you are still not adept at playing over individual chord changes playing in Gb major is pretty safe over that section.The G Jazz Minor scale contains the following notes: The bridge section is not improvised over on the original recording but many people do so in live performances. There are other options but these are a great starting point.Īs for the B section, it is more “changes” based but largely in the key of the relative major, Gb. Jazz players often will play Dorian over minor progressions because of its brighter sound and Eb Dorian does not clash with either chord. A third option is to play Eb Dorian, another minor scale but with a M6 instead of an m6. Another is to play the Eb minor blues scale. One obvious choice is to play the Eb natural minor scale. If your purpose for learning this information is to know what to do when improvising over the A section, which is Ebm-Bbm, there are many options to choose from. The melody to the A section of Take 5 is based on what is called the “minor blues scale”, a minor pentatonic scale with an extra chromatic note added between the P4 and P5 notes (Eb Gb Ab A Bb Db). However they do not share the same tonal center so it is better to conceive of the song as being in Eb minor and use Eb as your tonal center. You are correct in your assumptions but here is a slight adjustment in your terminology: Eb minor (natural minor) is the relative minor of Gb major.
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